Sic transit gloria mundi*

 Yesterday he lifted a slat in the blinds and saw The Spanish Inquisition driving through the neighborhood. He quickly ducked away, his back to the wall. Gulping for air, he wondered how they had found him.

He spent the rest of the day examining his conscience for anything that might have unleashed the dreaded S.I. It was a big conscience, most of it guilty, so it took awhile.

He recalled a bad joke he’d told about an elephant, a gerbil and a zombie who walked into a bar. It took them an hour to get a table and when they were finally seated, the booster chair wasn’t big enough to allow the gerbil to see over the salt and pepper shakers.

When the waiter carded the gerbil, it infuriated the elephant who pounded his fist on the table, breaking it into 17 pieces. Then the zombie ate the waiter’s brain and all three of them were escorted to the curb.

More recently he’d torn the tag off a mattress while hiding under the bed. He got a visit from the FBI after he charged his brother-in-law $5 to watch “Smurfs 2” on his widescreen. He bumped fists with the guy across the street and forgot to mimic a small nuclear explosion. He harshed on another guys’ mellow.

The Secret Service stopped by after he stupidly butt-dialed the president on his smart phone. He aired his dirty laundry and had to be revived by men in gas masks. He compared an apple to an orange. At the diner, he borrowed a napkin from a friend and never returned it.

He flubbed the dub, then flubbed it again. When asked if he had any regrets he said “I’ve had a few, but then again, too few to mention”—aside from the Ferguson affair which kept the talk shows smoldering for two weeks.

And, of course, he’d bumped into a mime at the supermarket and asked if he knew where they kept the edamame. The mime looked at him and said “You see this outfit? You see this makeup? Do I look like I work here?” In reply, he’d shouted “Why don’t you go mime yourself.”

Then, this morning, came a knock on his door. Through the curtains he saw them in their robes and evil eyebrows and stylish Hushpuppies. One of them, a very ripped bald guy with an anvil on a stick, was naked except for a black corduroy loin cloth.

His wife appeared at the top of the stairs. “Who is it?”

“Spanish Inquisition,” he whispered. “Shhhh.”

“Oh for Pete’s sake.” She marched down the stairs and opened the front door.

“Good morning, madam,” said an evil monk. “The Spanish Inky at your service.” The troll behind him, (totes cray cray) picked his nose with the point on his anvil.

She countered with the irritated, no-nonsense tone of a woman too busy for crap like the Spanish Inquisition.

“I told you,” she said, “I gave all of our old clothes to the Vietnam Vets yesterday. Purple Heart is coming tomorrow for my husband’s tuxedo, which he never wears. Also the brown wingtips that he never wears with it. Only a gawk wears brown shoes with a tux.”

“Madam,” said the monk, “on the phone you mentioned trophies.”

“You really want those old things?”

The monk shrugged and gave her a simpering “we-used-to-be-proud-but-obviously-we’re not-anymore” smile.

“Wait,” the mellow-harsher said anxiously. “You’re giving away my bowling trophies?”

 “Sweetie, you haven’t bowled in 20 years.”

“But they’re part of who I am. They represent my highest triumphs in life. I was nobody before I started bowling.”

 “Oh sweetie,” she said, “you can’t stay on top forever.”

“Yes, sweetie,” the monk sneered. “Tell me about it.”

 

*Gloria got sick Monday on the subway

 ©Patrick A. McGuire and A Hint of Light 2013, all rights reserved.

Posted in The human comedy | Tagged , , , | 2 Comments

Caving to the inner dork

 No. 18 in “Nuggets I picked up from my dog,”  inspired while walking the late Coffee J. Dogg.

   One of the first things a carefree boy casts aside after his bone-cracking, overnight morph into self-conscious teenhood is a hat.

   Not talking about baseball caps worn backwards or sideways or upside down. Those aren’t hats so much as they are mandatory dude chill.

   And if I could have a dollar for every time a sullen, ear-budded, ballcap-askewster encouraged me to “Chill, dude,” I would be dictating this to my butler.

   The chapeau I’m talking about is what once was known as a watch cap, but which I have always called a knit ski hat—the kind pulled low over head and ears, leaving exposed only eyes, nose and mouth. The head covering of choice for bank robbers and bent-over geezers shoveling the walk.

   It’s the kind of dreaded hat my mother made me wear on cold days, deaf to my cries that it would shroud me in the dork look prompting guffaws from cool, hatless boys and pained looks of disappointment from beautiful girls.

   When you’re 12 and under, mothers can get away with such abuses of power. But the very first whiff of freedom sniffed by yon teen is the freedom of vanity, the heady empowerment to go down the blizzardy way with pinkened proboscis and fiery, frost-bitten ears.

   I remember the cover of an album from the sixties showing a young, rakish Bob Dylan walking down a blustery, wintry street in Greenwich Village. He has a pretty girl on his arm, though both his hands are plunged into the pockets of his jeans. His thin jacket is open at the neck and he appears to be freezing to death.

   Naturally, no hat.

   The album title: “The Freewheelin’ Bob Dylan.” After seeing it, I went bareheaded, red-eared and blue-faced for the next 45 years.

   Until yesterday. I happened to glance at myself in the hall mirror as I prepared to maneuver the hound through the wintry suburbial environs.

   Outside the temperature was in the teens and fat flakes were cannon-balling into the lawn. The baseball cap perched on my head in the correct, bill-forward position of the mature dude, seemed suddenly pathetic.

   The dog grumbled his impatience. I felt a pang of disloyalty to the freewheelin’ soul looking back at me for what I was about to do. I got down on hands and knees and pawed through an overflowing cardboard box in the hall closet. There I found

  • three orphaned left-handed gloves
  • 2 punctured sneakers
  • 2 sprung umbrellas
  • a plastic jai-alai basket
  • one orphaned right-handed glove, no match for the lefties
  • 7 badly gouged golf balls
  • a set of iron weights from a long abandoned health kick
  • a Yogi bear whiffle ball bat
  • a left-handed golf glove
  • a flattened, dried out Bobby Grich infielder’s mitt
  • a tangle of scarves that never seems to untangle or disappear.

   On the very bottom, squashed by the weights, I found an elongated light gray sock-like hat. I pulled it over my head and checked the Boston Strangler look in the mirror.

   Before I could change my mind I grabbed a right- and left-handed orphan—one of them the golf glove—and yanked free a tentacle of scarf. Bound like a mummy I opened the front door and stepped into a new life.

   Beast and man had moved only a few feet before the first vanity reality check. The neighbor next door, a pleasant, thirty-something named Ken emerged from his house on the run.

   He wore the uniform of the young business dude: a crisp white shirt, printed tie, tan slacks, polished loafers but not an ounce of suit coat, overcoat, mittens, hat, boots, scarf or sense.

   He hopped and skidded gingerly through the snow to his parked car in the driveway. He ducked inside and started the engine, then popped back out and headed back to the house.

   “Young man!” came the cry. “Where are your rubbers?”

   Whose voice was that?

   It sounded suspiciously like the voice of a nun, frozen forever in the memory bank of indelible school day horrors from yester-century.

   Ken stopped, hands plunged into his pockets.

   “My what?”

   With his business attire and the lack of a blonde on his shoulder, Ken was a poor substitute for Bob Dylan. Rather than looking cool, he was slouching toward cold.

   “Hey Ken,” I said in my normal voice. “Nice weather, eh?”

   He waved and dashed back into his house, a thin film of white already plastered to his black hair. I detected no bald spot, no sense of having been foolhardy nor a smidgen of envy at his neighbor’s quaint impersonation of Sergeant Preston of the Yukon.

   So we marched on, Coffee J. Dogg and myself. But abruptly, I stopped. Something was missing.

   Where was that inner sense of humiliation, that dudeanian letdown, that outraged inner voice crying “Oh, foul betrayal!” Where was the freewheeling spirit?

   The answer, my friends, was blowing in the wind. As for my inner dork, he was toasty and didn’t care. Sorry, Bob.

 

©Patrick A. McGuire and A Hint of Light 2013, all rights reserved.

Posted in Dogs I Have Known, The human comedy | Tagged , | Leave a comment

Hip, Son of Cool

The soundtrack of Our Man’s day begins with an exterior shot of his driveway. As we see him backing his pickle-water-green Prius into the raging maelstrom of being (RMOB), we hear the Dave Matthews Band playing a long intro:

BUMP itty bump BUMP/BUMP itty bump BUMP/BUMP itty bump BUMP/BUMP itty bump BUMP

Oh OH, Oh Oh Oh Oh Oh Oh Oh/Oh OH, Oh Oh Oh Oh Oh x 2

Our Man at the wheel (sounding astonishingly like someone trying to imitate Dave Matthews):

Come on and dance,Come on and dance Let’s make some romance…

So, hold that thought. The ending to the soundtrack of Our Man’s day starts with a long shot of the ’07 Prius coasting silently down the hill at 48.6 miles per gallon.

Our Man pulls smoothly into his driveway, past the neighbor’s gas-fed pickup (9.3 miles per gallon if driven down the side of an office building).

All this time we hear the fingers of a guitar god picking way up the neck, sounding clean notes that blend quickly into a voltaic riff of distortion. (Note to those voltaically challenged: that’s a good thing.)

Our man waits patiently for the drums to come in before rolling into his deceptively self-deceiving impression of John Fogerty singing and chooglin’ on a short-scale Rickenbacker 325 air guitar while simultaneously driving downhill in a dented hybrid.

Hey tonight, gonna be tonight, dontcha know I’m flying, tonight…

Okay. The beginning and the end are in the can and the theme has become apparent. Our man is a dancing, flying, impersonator with a serious grandiosity thing percolating beneath the spot where his hair used to be.

And just like a guy who can’t decide what he wants on his sandwich, Our Man can’t decide on the soundtrack to the middle part of his day.

Metaphorically speaking that’s the part that goes in between the two slices of 12-grain wheat bread in the aforementioned sandwich. Or, to use hep slang, the part that’s inserted between the Big Opening Number and the Big Closing Number.

(Hep: dumb term that fired Hubba Hubba in early 50s and was itself overthrown by Hip, Son of Cool, circa 1959)

Our Man is leaning toward Joan Jett’s “I Hate Myself For Loving You.” Maybe more appropriate: “The Middle” by Jimmy Eat World. (And what are you going to name your little boy Mrs. World? Jimmy Eat? How very abnormal.)

The middle tracks may take some time. But anything worthwhile takes time because all the unworthwhile things like tweeting and twerking have called ahead for bandwidth using Al Gore’s name.

Ultimately, Our Man believes that if you spend every moment of your life surrounded by the kind of music that syncs with your very cool opinion of how others see you, then your teeth will sparkle; you’ll get a call announcing you have won a million bucks and all you have to do is email your bank account number for the cash transfer; and your woman will stop telling you to quit slouching and stand up straight like a big boy.

Oh, and there will be Cherry Garcia for dessert.

Dontcha know I’m flying…

 

©Patrick A. McGuire and A Hint of Light 2013, all rights reserved

Posted in The human comedy | 2 Comments

The nap incident

 No. 17 in “Nuggets I picked up from my dog,”  inspired while walking the late Coffee J. Dogg.
Coffee J. Dogg and unidentified syncophant

Coffee 1995-2010 and servant.

Down in the basement this morning I am alert, wired, spinning thought into gold to keep the wolf from the door. Coffee is stretched out on the floor beside me, spinning thought into snores. From upstairs I hear a shout.

It’s hard sometimes to make out the exact words of someone upstairs calling, shouting, yelling. First question I ask as my fingers pause momentarily over the melting laptop keys: are they calling, shouting, yelling at me? Or just calling, shouting, yelling at life?

Since the “they” in question is always Katherine, and since she so seldom hollers at life, I jump to the conclusion that it is I whose ears were meant to pick up on that which has been laid down.

I get up from the keyboard and go to the foot of the basement stairs. The beast raises his head to make sure I’m not leaving him forever. I tell him to put his head back down. He does. His tongue protrudes slightly between his teeth, a sure sign he’s back dreaming of squirrels and rabbits.

At the foot of the stairs I correctly interpret the frittering and scurrying from above as Katherine—she of the job that carries the health insurance—on her way out the door for work.

“Hello?” I call.

“Goodbye,” her voice sings as she heads out the door.

Instantly a neuron fires in my brain. Wheels whir and a little mechanical arm like that in a juke box glides across a track into the elephant groove yard section of my think tank. It stops at the cell called Walrus. It rings the doorbell.

Magically, a memory from 1967 goes live on the interior jumbotron. Deftly switching metaphors, I imagine a ping-pong player watching a ball drop plumply over the net into his wheelhouse. I am that player (not the walrus). I rear back with my paddle and go for the whack-a-mole.

“You say goodbye,” I sing out, “and I say hello.”

Oh, what a wit, I gloat inwardly as I slipper back to the laptop. Then I sit there in vain for an hour trying not to keep humming, singing, whistling along with the Beatles: “You say yes, I say no. You say stop and I say go. Go, go.” Oh no.

Oh yes. It’s the kind of stray thought that kills momentum and eats up hours and triggers daydreams and just won’t let go. Because, deep down I don’t want it to let go. I just want to float in the moment, chill out, stop cranking, stop spinning gold, forget about the wolf. I sigh. Really, I just want to play with my toys.

So I reach for my banjo, thinking ‘I’ll just play a couple of quick tunes to get the synapses synapsing.’ Before I know it, lunch time has rolled around and all I’ve got to show for the morning is a very cool 3-finger picking break to “Molly and Tenbrooks.

After lunch, Coffee and I take a quick peak out the front window. No sign of the wolf, I note. Dog looks up at me expectantly. I know what he wants.

He wants a walk with all the trimmings: up the hill, down the hill, snouting, snorting; a little ruffing at the crow on the roof across the street; a little rolling in the grass, a little serious communing with the hum of nature.

But I know what I want: I want a nap. Just a short one. Nothing involving jammies or teddy bears. Just a brief closing of the eyes. Recharge the battery. Blow out the cobwebs. Get the synapsessssszzzzzzzzzzz.

I’m on the couch, just getting comfortable. Over years of nap taking I have learned to pull a baseball cap over my eyes. For today’s siesta I have carefully selected my Daffy Duck cap which hasn’t been overly sweated up during lawn mowing sessions. I arrange it just so. It’s dark. It’s quiet. It’s blissful. I’m drifting off to the land of…

Someone has entered my space and is breathing into my ear. Someone with four feet. I don’t open my eyes, but I can feel him sitting there, just staring at me. A cold, wet nose brushes my ear.

“Hey,” I mumble. “I’m taking a nap.”

I try to ignore him. He continues to stare. Really hard. I feel his eyes. I’m losing the blissful. I open my eyes, I lift my Daffy Duck bill and stare straight into his wet black nostrils.

“Look, do I bother you when you’re taking a nap?”

He says nothing. Playing it dumb.

I readjust the duck and try again. It’s dark. It’s quiet…

The master manipulator raises the ante. He scooches his butt forward and rests his chin on my arm. I crack the duck. His big brown eyes are pleading, ever hopeful. Just to make sure I get the message, he rakes my shoulder with a paw full of unclipped nails.

I am not good with pleading eyes, even worse with a shredded shoulder. So I give in. I put on my shoes. I exchange Daffy for my outdoor cap—it says North Dakota Hockey—and we set out.

Up the hill, down the hill, smell the air, pump that blood, fire them synapses. When we get back we get our drink of water and our biscuit for being (ahem) a good boy and everyone is happy. Guess who settles down for a little afternoon nap?

I head back to the laptop feeling, if not blissful, at least wide awake. And remain so the rest of the day—except for short interruptions to open a window to keep from being asphyxiated by snoring methane.

When Katherine comes home from work looking tired and world weary—though still insured—she asks how my day went. I learned long ago never to tell her that I’d had a nap and that I felt refreshed.

Apparently at her job site naps are frowned upon. In the past, when I’ve mentioned the word nap, she has frowned upon me and resorted to slander, saying things such as “You…naptaker.”

So I make the command decision to edit the attempted nap from the day’s happenings. Instead I pull out the five-string and play  my sweet new break to Molly and Tenbrooks. We then live happily ever after.

 

©Patrick A. McGuire and A Hint of Light 2013, all rights reserved.

Posted in Dogs I Have Known, The human comedy | Tagged , , | Leave a comment

How to smuggle an elephant

Last August I read an Associated Press story out of Bangkok with this actual headline: “Thai Police Seize 14 Elephants With Fake IDs.”

Smugglers, it turns out, use falsified papers to sneak elephants into Thailand from Myanmar. As reports have shown, it’s pathetically easy to do.

You present yourself at the border with an elephant. A sharp-eyed border guard says “Hey, bozo. It’s illegal to bring an elephant into our country.”

You say “That’s no elephant. It’s an aardvark with a serious hormone imbalance. We’re returning from an appointment  in Myanmar with a specialist on the road to Mandalay.”

The guard demands to see some ID. The elephant hands over a falsified Thai identity card plus a fake library card from the Bangkok Public Library. They identify him as an aardvark named Krako Calrissian.

The guard types some numbers into his black market Kindle Fire knockoff. He then walks suspiciously around the elephant, idly slapping the ID card against his device.

He runs a wand with a mirror under Krako’s man zone.  The guard’s eyebrows shoot up (as do those on Krako).

The guard’s Kindle burps. “Hmm,” he says, “You have an overdue library book. ‘The Gluten Free Aardvark Diet.’”

“Sorry,” says Krako.”I’ve been sick.”

Reluctantly,  the guard returns the ID cards and waves them through with a “Have a sweltering day.” But he whispers ominously to Krako “Don’t eat any wooden ants.”

So, exactly how do police go about seizing 14 elephants at once? The Thai SWAT manual is very precise.

 First, a chunky undercover officer disguises himself as an elephant. He walks nonchalantly into the elephant hideout, swinging his trunk to and fro. He quickly establishes his alpha-elephant creds by depositing a steaming load of “elephant guacamole.” (He buys this ahead of time on eBay).

The other elephants start whispering. They say if it looks like an elephant and stinks like an elephant, it must be an elephant. (Gives one an insight into the level of intelligence of your average elephant, doesn’t it?)

The undercover elephant, or underphant, arranges for the SWAT team to rush in when he first greets the elephants. In the US, an underphant, cool and insouciant, might say “What up dog?” In Thailand he remains insouciant but says “What up thongdaeng?” This is a Thai word for dog and, coincidentally, dinner.

Seizing an elephant requires 23 cops per pachyderm: three on each leg, two on the tail, two on the trunk, six to lug the huge box of handcuffs, and one to sweep up the guacamole.

Seizing 14 elephants requires 322 SWATers in 80 police cars and one tractor-trailer. By the way these cops have been trained on a remote mountain top in the ancient art of elephant flipping–not to be confused with flipping off an elephant–by the Monks Without Hair or Shoes or Pants Organization (MWHOSOPO.)

In America, raiding police might yell “Freeze!” In Thailand, the concept of freezing is unknown, so Thai police have  experimented with alternate commands.

In a recording of one such raid, the lead officer is heard to shout “Thai police! Sweat! What? No, I said Thai police, not Thai takeout. You there, the guy with the big ears, I’m talking to you Dumbo.”

Reports say that the newly revised procedure calls for the lead officer to now shout “Drop your trunks!” Of course, this only works when seizing elephants or pirates carrying treasure chests.

©Patrick A. McGuire and A Hint of Light 2013, all rights reserved.

Posted in News You Can Use (Sort of) | Tagged , | 2 Comments

Are you going to Savoir Faire?

Nuggets I picked up from my dog, No. 16

I asked Katherine if dogs could think. When they plop down for a snooze, do they go “Man, I’m pooped. Guess I’ll sack out.”

Katherine got a little huffy. “Why do you ask me questions like that? How should I know? ”

Well, she seems to know a lot about everything. She says dogs can see only in black and white. She didn’t say she’d read it somewhere or that she’d seen it on the dog network. She stated it as if it were hard-wired information included in the standard savoir faire package for Homo sapiens. I replied with the standard reporter’s question: “Why?”

Coffee J. Dogg and his magic carpet

The Dog in Question. He left for stars unknown in 2010.

Katherine gets exasperated when I drop a why on her. It’s one of the tougher questions in life. Why, for instance, would Mr. Big invent a world full of resplendent Technicolor, crank out a bunch of dogs with two good eyes then tell them, “Sorry, you can see only black and white.”

Besides, how would anyone know what colors a dog sees? Do they sit them in little booths and hold up cards and ask them to bark twice for red and three times for green?

Which brings me back to ideas and the mystery of whether dogs can think them up. You’ve got a dog, say, and he’s sitting on the carpet and suddenly he’s up and walking to the water dish and slurping and lapping and drooling so loud you have to turn up Dan Dierdorf.

Are we saying it’s just instinct? Some robotic sensor inside the fur bag decides its time for a drink and levers are pulled and buttons pushed and the dog goes from sleeping peacefully to making a swamp on the kitchen floor? That sounds like a Frankenstein movie.

I got to thinking about this the other day during the daily walk with the hound. It had snowed the previous day and then the temperatures fell even lower. Then a new batch of snow turned to rain and sleet and ultimately ice. By morning the neighborhood lay under a slick, cold crust of Kevlar. Thick enough and hard enough that walking on it made no impression whatsoever.

So we’re out walking, and here and there are footprints left over from yesterday when the snow was young and impressionable. I notice that the hound, cruising along, his snout Hoovering before him, is leaving no tracks.

And I start to think: I wonder if he notices that he’s leaving no tracks. I wonder if he’s thinking “Hmm, here’s yesterday’s tracks but I’m not even making a dent today. What gives?”

Of course if he were smart enough to think that, he’d already know about science and the properties of water and ice hockey. Maybe not. I know people who think you can’t eat after dinner mints until after dinner.

Anyway, Coffee says nothing. And I think: Because they don’t talk, dogs tend to give off a whiff of intellectual depth. Think about it.

When you meet someone at a party and they don’t say much, you get this feeling that they must be pretty smart, standing there, drinking it all in, forming deep thoughts about the human condition, or the meaning of the hortatory subjunctive, or why short stories in The New Yorker always suck.

It’s only when they open their mouths and say something like “Dude, where’s the crapper?” that you realize silence is a long way from candlepower.

I mention this because of an incident yesterday. I’m at work in my basement office and the hound is napping in an adjacent room. He wakes up and he’s smart enough to think “I’ll go hit up that guy who walks me every day. He’s usually good for a biscuit before lunch.”

So he motors his butt into my office, stopping at my feet. He proceeds to stare at me silently and pathetically. I pretend not to notice until he reaches out a claw and rakes my thigh. I notice.

I look at him but my heart sinks. Whatever thought process brought him into the room, whatever intellectual power I’d given him credit for is now proven to be about as deep as a mushroom cap.

For there, peeking out beneath the hound’s rear foot, left over from who knows what era, sits a dog biscuit.

“You’re standing on a biscuit!” I shout. But he just stares at me with a look that says “Please sir, a morsel for a poor boy; it’s not for me, but my old mother who may not last the night.”

I point at his rear foot and he sniffs my finger, finds it isn’t a biscuit, then, reluctantly follows my direction. He looks stupidly at his foot. Sniffs it. I reach down and lift up the foot.

He does a double take–Wha…?–then gobbles the biscuit. Within four seconds he is raking my thigh again.

“Please sir, a scrap of gristle for a poor waif.”

Later I told Katherine that I’ve concluded dogs can think, they just don’t think very hard.

She said “A bird doesn’t wake up in the morning thinking it’s going to fly.”

I gave that some thought. It carried a tantalizing whiff of profundity, something worth stealing as my own. But I needed to do a little more reporting.

“What does that mean?” I asked.

“It means,” she said, “stop thinking!”

Well. And so I have. Although being human, now and then an errant notion enters my head. And it begs a question that I am very reluctant to pose to Mrs.

And it is this: What do birds wake up thinking?

©Patrick A. McGuire and A Hint of Light 2013, all rights reserved.

Posted in Dogs I Have Known, The human comedy | Tagged , | 3 Comments

How cold is it?

Katherine comes in from the cold, red-faced and shivering.

“It feels like it’s 20 degrees out there.”

“Wrong,” I reply. “It feels like 17.”

“Says who?”

 “The Weather Channel, of course.” I hand her my smart phone which has a Weather Channel app. “It says the temperature is 25 but it feels like 17.”

She is not impressed. “They don’t know what it feels like to me.”

I sigh. Here we go again with weather channel denial. We go through this all the time, like last week when I told her to take an umbrella because there was a weather event going on.

“If it’s raining,” she said. “Why don’t they just say it’s raining?”

 “These people have degrees,” I told her, flipping on the TV. It’s pre-set to the Weather Channel and requires a court order to change channels.

“I have degrees,” said Katherine, who, indeed, is a master of arts.

“Of course you do,” I responded. “But their degrees are in Fahrenheit.”

On screen we see two meteorologists. One is a haggard, bald header named Ed, the other a nicely turned out beauty queen named Alice. Ed is describing bad weather in the plains states. His sleeves are rolled up, eyebrows in full dive and about him a look of weariness: Picture poor Job when the grasshoppers caught him in the open without a hairnet.

“Give me a break,” says the master of arts to Ed. Something in her tone, though, suggests Katherine knows ahead of time that Ed can’t hear her. I shush her as Ed speaks.

“If you’re out driving,” he says, “be sure to turn on your wipers. If it starts to weather event really hard, turn the wipers on high.”

“I need to write that down.” I grab a pen and scribble across my hand.

Ed throws it over to Jimbo, a weather reporter out in the field. He is standing in a creek in about four feet of water wearing what looks like a rubberized snow suit.

“Bet he got that suit from his rubber room,” says Katherine.

“Thanks Ed,” says Jimbo. “I think we ought to remind people that the weather event is pretty much coming down and not sideways or even up.”

“Good point, Jimbo.” Ed has loosened his tie.

The camera cuts back to Jimbo, almost completely submerged now. The swift running creek carries him and his microphone out of view.

“Take a moment there, Jimbo,” says Ed, “to try to save your life.”

The camera shows only the angry, rolling stream.

“Uh oh,” says Ed. “I think we’ve lost our live feed.”

“It’s a good thing that didn’t happen on the highway.” This, from Alice, the only meteorologist on camera with enough hair for a comb over.

 “Indeed,” says Ed. “And this might be a good time to remind our viewers: please, do not try this at home.”

“Or on the highway,”  says Alice.

“Oh man,” I whine. “They always say that. I was just about to get out my hip waders and go look for a rising river.”

“You don’t have hip waders,” says Katherine.

“True,” I say. “But a man can dream, can’t he?”

“Men dream,” she says, “women vacuum.”

Later, as I lie on the couch dreaming of making a million dollars—some of which I would almost certainly share with Katherine—I hear from upstairs the sworn enemy of the afternoon nap. Picture poor Job scrambling for his ear plugs as his world is blasted by the sound of a vacuum cleaning event. Oh, please, don’t try this at home.

 ©Patrick A. McGuire and A Hint of Light 2013, all rights reserved

Posted in The human comedy | Tagged , | 1 Comment