Burbling borscht

As I often do while trying to think up new ways of saying nothing, I anchored my elbow on the arm of my desk chair and, into the splay of my fingers, I rested my chin–which, one might describe (if one includes the nose, the eyeballs and forehead) as the de facto face of my very special but otherwise quite ordinary head.

Inside the old smart locker, my seasoned brain dispatched a semi-retired neuron named Ozzie (who needed the work) into The Great Mindfield. At the same time, outside my head, my rascally little pinky finger broke away from the other digits and bounded aimlessly across my face.

Inside the mindfield, Ozzie took a cautious step, his mind detector extended shakily before him.

Outside, Mr. Pinky mindlessly tapped the upper reaches of my nose (not a pick). The Pinkster then rudely pushed in on the fleshy cartilage, resulting in a very audible clicking sound. It pushed in again. Another click.

Pretty soon clickety clickety clickety. (Mind you, no clacketys. Just clicketys)

Back inside the noggin, the clicketys distracted Ozzie. He lost his balance, lost his mind detector and stumbled off the neural pathway. An explosion rocked the mindfield, blowing Ozzie backwards into a patch of mid-twentieth century goo. Bits and pieces of gray matter, buried since the sixth grade, showered the befuddled neuron.

Outside, Mr. Pinky was unceremoniously hauled back from Mr. Nose to join the other fingers in a fist, on which I proceeded, fearfully, to gnaw.

Why? Cut to the home movie theater inside my oblongata. A video began to play on the recently installed 72 zeptochip* screen (one sextillionth the size of a dorito and manufactured from recycled gray matter of brain donors, mostly from the ooze of some very vicious thoughts about Congress.)

The screen filled with a menacing scene from my sixth grade classroom at St. Patrick’s Academy, somewhere over the rarely seen upstate New York rainbow. (The academy is now a home for victims of Mean and/or Bald Monsignor Disorder).

In the video, I saw myself seated at my sixth grade desk, sporting my slowly developing special head while mindlessly clicking a ball point pen. Clickety clickety clickety.

The video then cut to our sixth grade nun, Sister Bruno Sammartino, who’d recently been paroled from Attica for trouncing a boy with a yardstick. His crime was the usual: existing within yardstick range. (A humorous aside: Sister Bruno later became the inspiration behind the popular amusement park game “Whack a Mole.”)

Back on the screen, her voice cut into my mindlessness with a cold, trounce-loaded warning—the kind of voice that turned everything inside your intestines to burbling borscht. (Which is why, to this day, I eschew and esslurp borscht.)

Woe betide the boy or girl,” said Sister Bruno, “who is clicking that pen.”

Besides always threatening to trounce you good, nuns at the academy continually played the woe betide card. Just as no one knew what trounce meant until having been trounced, I doubt anybody knew what betide meant. Until the betide rolled in, of course.

Anyway, not only did I stop clicking—fighting down immediate onset Holland Tunnel Syndrome (where all the cars come sluicing out at once at high speed, in a driving rain)—I dropped the pen and grabbed a yellow, No. 2 Mongol with the metal ferrule and pink eraser.

I never used a pen again. I can sadly attest that the pencil, while useful, is not mightier than the sword (from the Latin gladius yardstickius) unless they are made of rubber—which, of course, they never are.

*Because I have Amazon Prime, all Zepto videos are free

©Patrick A. McGuire and A Hint of Light 2013-2015, all rights reserved.

Posted in Absurd and/or zany, Mockery and derision, News You Can Use (Sort of) | Tagged , , , , , , | Leave a comment

Shaking the sillies out

I held a press conference to announce my candidacy in 2016, but a lot of you weren’t there.

Oh, yes, I noticed each and every one of you who didn’t show up, even after I sent all those engraved invitations. You know, it wasn’t easy chiseling all that English script into bathtub tiles with just a hammer and a sheetrock screw. Especially with somebody in the tub, splashing water on me the whole time.

Anyway, here’s the transcript of my press conference. Since none of you showed up I’ve taken the liberty of framing the kind of stupid questions you would have asked and the stupid answers I would have given, had I actually been stupid.

(FYI: I used to say and do forty stupid things a day. I tried to quit by going to bed early and getting up late and taking afternoon naps. Then I heard about the Stupid Patch which is worn over the butt to prevent dumb ass doings. I also wear one over my mouth and ever since I’ve been as smart as a cantaloupe rind across a sunburned glute.)

Q. Are you running for something in 2016?
A. Maybe.

Q. Would it be for dogcatcher?
A. Sorry. Overqualified. Plus you have to supply your own dog.

Q. Would it be for an office that begins with a P?
A. You’re getting warm.

Q. Is the second letter R?
A. Getting warmer.

Q. Is there an ick in there?
A. President of the Prickly Heat Consortium? Don’t be absurd.

Q. Why not? You’re being absurd. And prickly, too.
A. Am not.

Q. R 2. CM Wangs? M R Ducks.
A. LOL B. M R Ducks.

Q. Look, just tell us what you’re running from?
A. You mean for.

Q. Why would you say that the four of us are mean?
A. Why would time fly instead of taking the train to keep TSA friskers from feeling up its mountain standard time?

Q. And you expect people to vote for you?
A. I think we’ve gotten slightly off topic.

Q. Is that like being slightly off your rocker?
A. Look, can’t we all just get along?

Q. You silly goose.
A. Why is it that gooses are always silly? Do you think their sky-dumping, rains of terror are silly? Besides, silly is so stereotypical.

Q. What type of stereo do you have?
A. Typical. But I’m a certified stereotypist

Q. We were living happily ever after until you decided to throw this press conference.
A. You know what I hate about the press?

Q. Aren’t we supposed to be asking the questions?
A. It slows the game down.

Q. What does?
A. The press. Full court, half court, probate court, supreme court, traffic court, racketball court. Any court you can think of.

Q. Doesn’t racquetball have a Q in it?
A. You didn’t hear me pronounce the Q?

Q. If you had, you would have said rack-wit-ball. You said rack-it-ball.
A. So, Q followed by a U is now pronounced W? I go to the store to get a wart of milk? Fast sex in the front closet among the overcoats and roller skates is now a warter wickie? And a professor is fired for telling his class “I’m hitting you with a surprise wiz?”

Q. Aha! You’re running for president aren’t you?
A. I’m running for much more than precedent.

Q. Wouldn’t that be…unprecedented?
A. Only if I’m impeached or impaired.

Q. You’re bananas, aren’t you?
A. No, but my uncle is a cherry cobbler.

Q. Well sir, you haven’t got a prayer.
A. Good God, I hope you’re wrong.

©Patrick A. McGuire and A Hint of Light 2013-2015, all rights reserved.

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Run, you peckerwood

Can’t get started on your Great American novel? Don’t despair because A.) It probably won’t be any good anyway. B.) It will never get published and C.) It probably won’t be any good anyway.

Still, to avoid writer’s block when starting a novel, try writing the ending first. When people ask how it’s going you can say “I’m just finishing the ending.”

Study these last few lines from several of my novels. Remember, the ending should rip readers’ hearts out, almost as if a frog had exploded in their lap.

Ending for: Zen And The Art of Amphibian Maintenance.

Then, after all that, the stupid frog exploded.

–The End–

Ending for: Pete Was One Mean Cowpoke

“And that,” said Pete, slapping the dust from his chaps and sneering at the hogtied frog, “is how we handle reptahls out here on the range.”

Then the frog exploded.

–The End–

Ending for: Across the River and into the Wal-Mart

Bella half-turned at the entrance to the jetway. With cackling insouciance, she flipped Bob the bird.

Bob caught it and saw it was a dead woodpecker. A cruel comment on the frequent power outages in his hydraulic boom? He chided himself for being so negative.

Obviously, it was just a dead bird Bella found in her pocket. She’d flipped it to him, knowing he would see to its proper recycling.

But as he approached the dead-animal trash bin, a ribbit-like noise distracted him. He looked around and behind and then, puzzled, looked at the dead woodpecker.

Though Bob had failed Conversational Woodpecker in high school, he remembered a few basic phrases.

“Did you say ribbit?”

The woodpecker, still dead, seemed to be mumbling something. While Bob couldn’t be sure, it sounded almost as if the hard-nosed featherbag was saying “Run, you peckerwood.”

But, at that moment, the frog exploded.

–The End–

Ending for: A Bottle in Front of Me*

Julia never did understand why Bob had the two old-fashioned bathtubs set up in his back yard. She’d tried to play along and even went so far as to take off her clothes, as he instructed, and climbed into one of them. He then climbed into the other.

“Now what?” she said, noting the neighbor next door with his binoculars.

“Um,” said Bob. “I’m not sure. It just said take the pill and get into the tub.”

“But why didn’t you take off your clothes?”

“Oh crap,” he said, slapping the frontal lobotomy scar on his forehead. “I forgot.”

“Well,” Julia said, “how’s the elevator working?”

“Still stuck on the mezzanine,” he said.

“Um, shouldn’t we both be in the same tub?” Julia said. “I mean, think about it.”

Bob tried very hard to think.

Then the silly frog exploded.

–The End–

Ending for: The French Lieutenant’s Fromage

Finally, Bob explained, Congress passed legislation downgrading the army, navy, airforce and marines to club status. Each service got a large treehouse and their members two-tone letterman jackets.

Initially, conservatives insisted treehouses post a “Girls Keep Out” sign. They also wanted secret passwords.

Liberals, insisting on transparency, demanded all secret passwords be made public.

The Lunatic Fringe condemned the idea of transparent jackets, arguing that soon families would have to wear transparent underwear. They were told to shut up and sit down.

In the end, liberals agreed that secret handshakes could remain secret. Conservatives conceded to treehouse signs that said simply “No Boobs.”

At the signing ceremony, with everyone wearing the cardboard smiles handed out at the door, maturity reigned.

And then, Bob continued to explain, Lieutenant Merde’s dang frog exploded.

–The End–

©Patrick A. McGuire and A Hint of Light 2013-2015, all rights reserved.

*If your first thought was “I’d rather have a bottle in front of me than a frontal lobotomy,” give yourself 50 points and advance to life’s next level

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Wake up and smell

Saw a movie the other night where Denzel Washington demanded kidnappers give him Proof of Life that the person he was trying to ransom was still alive.

Still alive. Or as Monty Python would have it “Not quite dead yet.” Has a nice ring to it, yes? But what if we haven’t been kidnapped or Denzell Washington is wreaking vengeance in some other movie? How then do we prove we are not quite dead?

Not talking about the old hippie doobie dodge of “Oh wow, man, maybe all of this is just a dreeeeem. Like, man, everything is so groooooovy and I’m so hungry I could eat a raw VW micro bussssssss.”

It used to be if you thought you were dead you could look for your name in the obituary page of the newspaper—that is, when we still had newspapers. Today you can Google your allegedly dead ass with a Boolean search operator (they make excellent dates) plugging in “Your name AND dead OR dead-more-or-less.” (We all know people who are dead from the chin-dimple up but who are still alive, so to speak, from the barbed-wire neck tat down.)

Amusingly, sometimes proof of death is easier to find than proof of life. You can ask for a copy of your death certificate at the county clerk’s office and they will give it to you without thinking twice. In some states, without thinking once. But ask for your “still alive certificate” and the clerk slowly moves a foot over to the loon alarm and stomps it good. It might be simpler to just check out the cemetery, the ultimate plot against breathing.

Life being so doggone hard, it’s amazingly easy to fool yourself into thinking you’re dead when you’re not. Recently I saw a guy standing in front of the frozen french fry case at the Giant. His head kept nodding just slightly. It wasn’t as if he’d been ordered by the mean supply sergeant to get crinkle-cut foo foos and when he found them his body rewarded him with a little shot of dopamine.

This was no crinkle-cut dopamine nod. This reeked of how the hell did I end up here in front of the frozen food. I was supposed to be president by now, and some loser shlump would be buying my vegetables…

Ten minutes later I came back and he was still there, head-a-bobble. Behind him stood a growing line of former presidents-to-be, each one not-to-beed along life’s heavily mined path and now waiting their turn to nod at cold, lifeless, foo foos.

…and I could have been a wealthy rock star but I foolishly used my guitar as a bat during a softball game at the company picnic when I was bombed and I never got a new guitar even though I’d learned the G, C and D7 chords and was working on the F and I could sing ‘Oobla di, oobla dah’ and all that talent went down the toilet, speaking of which I’m no longer in command of my bladder. Yup, I’m a goner.

If this had been a movie, Denzell Washington would have told the kidnapper to pound salt. He wasn’t wasting $10 million on some whining flopper.

The moral: if you are still alive but don’t always feel it, you need to start wearing one of those bracelets that says “DO NOT EMBALM.” Make sure it has your significant other’s phone number on it, because if there’s one thing that can bring you back from the sim dead it’s the cold, crinkly whisper in your ear of a single wake-up-and-smell-the-lighter-fluid word: cremation.

©Patrick A. McGuire and A Hint of Light 2013-2015, all rights reserved.

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The duck commander

While waiting at a stop sign for further instructions, I started thinking about the presumptions made by the boys and girls down at the highway department. When they decide what goes on a highway sign they presume that we—the un-neutered, sign-scoffing public—will grasp the inherent philosophy behind their concern.

Take the stop sign, for example.

The implied message is that we should—we must—stop. That’s why it’s painted red. If it were mocha or plaid we might think they’re kidding. Maybe they’re saying “Look, it would be nice if you stopped here. Lots of traffic. Winnebagos towing smaller Winnebagos, towing pickups, towing boats, towing a squeaking, Wal-Mart empty soul that makes a black hole look like a Holiday Inn. But hey, if you gotta go, you gotta go.”

Most of us stop or sort of stop at stop signs. We look both ways or at least one way (reserving the other way for our cell phones) and then go merrily along. We’re grown-ups. We understand situational philosophy.

However, we don’t stop and then merrily never move again—even though the stop sign drops nary a hint about our life options, post-stop. Nary (i.e., grab a pizza, line a bird cage, break the head off your Putin action figure, etc).

With a traffic light, however, when red turns to green we know it’s time to go, even though it doesn’t say go per se. Again, if the red light was zombie putrescence and the green light was blackened salmon, we might never stop or go and then where would we be?

(FYI: That is the kind of question ancient philosophers thought about all day long while everyone else was out going Rahhhh! with sharpened sticks. Sort of explains why they were paid mostly in pop-it beads and were eager to drink the hemlock out of the 22-ounce glass.)

Fact: there isn’t enough room on any highway sign to convey the kind of information that leads to enlightenment. Not even on those electronic message boards over the highway that warn “If you see something, say something.”*

Well, we were out cruising the interstate down in Flo-Rida recently when I saw an overhead message board that warned “Ride Responsibly.” You’d think they might tell you to drive responsibly, which is my natural born cruising style anyway.

I looked at K-Mac, riding shotgun—with one of the shotguns they hand out free at all the toll booths down in Flo-Rida—and said to her “Hey, they’re talking to you.”

She immediately fired back (um, metaphorically) “Are you talking to me?”

“No,” I said, “I’m talking to Jeb Bush.”

Sarcasm, of course. Jeb wasn’t actually in the car or the state.

We came upon another overhead message. It said “Look Twice for Motorcycles.”

I saw it, but I didn’t know what to say.

“They’re talking to you now,” said K-Mac.

“Um, I think that one is meant for both of us,” I replied. “You look that way and I’ll look this way.”

“No,” she said. “I’ll look this way and you look that way.”

Well, she was holding a Mossberg 835 Ulti-Mag Duck Commander. So I complied.

But I was having a hard time figuring out the philosophy behind that message. If you’re looking twice for a motorcycle, do you do that for the rest of your life? What if you see it on the first look? Do you have to look again? How many times should you then look for, say, a chimpanzee? Five? A hair in your soup? Twenty five? The Spanish Inquisition? Ciento noventa y siete mil?

I must have been thinking out loud, because K-Mac said “Stop!”

So I did.

Now what?

©Patrick A. McGuire and A Hint of Light 2013-2015, all rights reserved.

*Courtesy of the Department of Homeland Anxiety

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1955 green linoleum

The New York Times interviewed me for a feature on novelists who are unpublished because they aren’t tall. Or, in some cases, because they are too tall.

I agreed on the off chance a publisher might see it and say “Hmm, this guy sounds about 6-1. Not too tall, not too short. Get me his novel.”

What books are currently on your night stand?
Chilton’s 2007 Prius Repair Manual. Un-frigging-put-downable. My Life as Mick Jagger’s Lips by Eddie “Captain Botox“ Del Fuego.  I Never Said That, a novel about a mime elected president because he never says anything controversial. Plus he can lean against an invisible elephant for hours.

Tolstoy’s War and Peace is propping up my night table. I was trying to flip our king-sized mattress to keep from rolling into the same slough of despond every night, when I lost my focus. I wondered how I can become fabulously wealthy when I don’t even have a vault. That’s when the mattress Moby Dicked me into the night stand.

Who are your favorite fiction writers?
I like myself quite a bit. I have an earthy style reminiscent of lawn trim and ant powder on the nose, with a smattering of roofing tar in the eyebrow. I tend to evoke a sense of black pepper shoe polish,  a hint of faux oak paneling with a three-quarter-inch plywood component, all moving toward an insouciant finish of 1955 green linoleum.

What are your literary guilty pleasures?
Being Catholic, we aren’t allowed to have pleasures. In fact, whenever we are asked “Was it good for you?” we have to say no or we’re turned over to The Spanish Inquisition.

What was the last book to make you laugh?
Bo Bo Brazil’s biography of Boom Boom Geoffrion. No, wait. It was Boom Boom’s bio of Bo Bo. I sometimes get the two mixed up.

The last book that made you cry?
The Oxford English Dictionary. I dropped it on my foot. Then I got a wonderful audio version where the actor reading it does a different voice for every word.

What’s the worst book you’ve ever read?
Murder in the Smelter, written by my next door neighbor. It’s only 1 page long—I guess you’d call that a novella. It’s opening sentence: “The first time Ace Bannion smelter, he gagged and thought ‘Man, this is murder.’” I found it formulaic and ended up writing a very poignant grocery list in Haiku on the back.

What kind of reader were you as a child?
I was a young reader in those days. Although I grew out of it. I hope it shows.

What were your favorite childhood books?
In first grade I loved Fireman Small by Lois Lenske. In second grade I fell for The Portrait of a Lady by Henry James, and in third grade, Charter House of Parma by Stendahl. I never knew if Stendahl was his first or last name and I’m not sure he did either. I always thought of him as Yogi.

You’re hosting a literary dinner party. Which three writers are invited?
My wife writes all the checks, so she’ll have to be there or I’m cut off. William Carlos Williams, to ask why his parents didn’t give him William as a middle name. When he was naughty, think of the times his mother could have said “Bill, Bill, Bill.” And my neighbor who wrote Murder in the Smelter. I can’t remember his first or last name but he owes me money.

What books are you embarrassed not to have read yet?
How to Write Goodly, by What’s-His-Name, and Oops, I Forgot the Alamo, by his twin brother, Whosit.

©Patrick A. McGuire and A Hint of Light 2013-2015, all rights reserved.

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F.A.Stupid.Q. What is Redacted?

Q. Journalists complain about documents being redacted. What does  that mean?
A. The short answer is I can’t tell you

Q.Is there a longer answer?
A. Maybe.

Q. My mother said if I asked politely that you would tell me.
A. And you are?

Q. Think of me as a tumbling drop of rain. Or the chuckle of a small stream. Or the cry of a loon. Or the oopsie from a hippopoopsie.
A. Geezy fareeking weezy.The longer answer: redact means to edit. And edit, of course, means to viciously cut out. Like a rogue heart surgeon who cuts out your heart and hands it to a Russian mobster who bobbles it, drops it, hollers piiiizdets, blyaaaa, picks it up within the five second rule, blows a hair off it, washes it off in vodka for good measure, and sells it on ebay.

Q. Where does that leave the guy without the heart?
A. Feeling blue, wishing he were young again, and basically, as stiff as a board of directors.

Q. Can you give me a less bloody example of redacting?
A. Let’s say I wrote:

I think that I shall never see
a poem lovely as a tree

An editor would cut certain words and substitute others, making the writer feel as if his heart has been cut out, dropped on the floor and hit up for spare change by unemployed hair. The line then reads:

I am a tree hugger.

Q. But isn’t redacting done by the CIA or the NSA or the NFL?
A. If the government or Roger Goodell thinks you might jeopardize national security or the ability of the commissioner to do his numbers, the redactor  blots out sensitive language with a black Sharpie. In the example above, a redacted sentence might look like this:

I think that I shall never see a poem lovely as a tree

All you are able to see is:

I…I shall see a…a…

And people would say something like “This guy calls himself a poet? This doesn’t even rhyme.”

Q. What if the Sharpie is all dried out because someone left the cap off?
A. That is a class C felony. Three to five in the federal big house without crayons. It’s the same statute that makes it a crime to tear the label off a mattress—in case you’re hiding under the bed and feeling bored–or to charge your brother-in-law admission to your living room to watch a football game without the express written consent of the commissioner.

Q. Do they ever use green or brown or periwinkle Sharpies?
A. I’d like to answer that but then I’d have to redact you.

Q. Does redacting do any good? Or is it just censorship for censorship’s sake?
A. Oh, for Pete’s sake. Ask an intelligent question.

Q. All right. If John left Cleveland on a train going east at 75 miles an hour and Ed left Buffalo in a huff because Rex Ryan was hired as the new coach of the Bills, how long would it take to run that by me again?
A. I think I hear the cry of a loon.

Q. So, anyway, who was Red?
A. Obviously, Red was a boy who acted. One presumes he acted badly because if his acting was any good he would have won an Emmy or an Oscar and become appropriately aloof and condescending. And then the word Redacted would have been Redacted like anass.

©Patrick A. McGuire and A Hint of Light 2013-2015, all rights reserved.

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